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Bach Bibliography Search Result |
Series : ^UnderstandingBach$Your search has generated the following results ...
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| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | The Postmodern Mindset, Musicology and the Future of Bach Scholarship. | UnderstandingBach | 1 | 9-18 | |||
| | 2. | Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. | UnderstandingBach | 1 | 19-38 | |||
| | 3. | Big Boys Don't Cry? Attitudes towards Death in Bach's Leipzig. | UnderstandingBach | 1 | 39-50 | |||
| | 4. | Transgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass. | UnderstandingBach | 1 | 49-68 | |||
| | 5. | The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. | UnderstandingBach | 1 | 69-85 | |||
| | 6. | An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. | UnderstandingBach | 1 | 87-88 | |||
| | 7. | Bach in Mind. | UnderstandingBach | 2 | 9-18 | |||
| | 8. | A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. | UnderstandingBach | 2 | 19-36 | |||
| | 9. | Collections, bars and numbers: Analytical coincidence or Bach's design? | UnderstandingBach | 2 | 37-58 | |||
| | 10. | Anna Magdalena as Bach's Copyist. | UnderstandingBach | 2 | 59-76 | |||
| | 11. | 'Ihr Augen weint!' Intersubjective Tears in the Sentimental Concert Hall. | UnderstandingBach | 2 | 77-94 | |||
| | 12. | Bach's Music and Newtonian Science: A Composer in Search of the Foundations of his Art. | UnderstandingBach | 2 | 95-106 | |||
| | 13. | 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. | UnderstandingBach | 3 | 31-38 | |||
| | 14. | An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5). | UnderstandingBach | 3 | 39-54 | |||
| | 15. | The Musician-Novels of the German Baroque: New Light on Bach's World. | UnderstandingBach | 3 | 55-66 | |||
| | 16. | The Weimar Organ Tablature: Bach's Earliest Autographs. | UnderstandingBach | 3 | 67-74 | |||
| | 17. | Responding to Notation: Interpreting Dynamic Markings in the Instrumental Music of C.P.E. Bach. | UnderstandingBach | 3 | 77-79 | |||
| | 18. | New Perspectives on the Canons of Johann Sebastian Bach. | UnderstandingBach | 3 | 80-82 | |||
| | 19. | The Keyboard Copyists of Fux's Circle with Particular Emphasis on Gottlieb Muffat. | UnderstandingBach | 3 | 83-86 | |||
| | 20. | The Application of Forensic Document Examination Techniques to the Writings of J. S. Bach and A. M. Bach. | UnderstandingBach | 3 | 87-92 | |||
| | 21. | Bach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata. | UnderstandingBach | 3 | 9-30 | |||
| | 22. | Trailing the Sources: A Pursuit of a Europe-wide Picture of Bach Reception in the Eighteenth and Early Nineteenth Centuries. | UnderstandingBach | 3 | 93-98 | |||
| | 23. | The 'Lost' Eighteen: Breitkopf, Mendelssohn and the Nineteenth-century Re-emergence of Bach's 15 Grand Preludes on Corales. | UnderstandingBach | 3 | 99-104 | |||
| | 24. | Eighteenth-century Coffee-House Culture: A New Context for Bach's Music? | UnderstandingBach | 3 | 105-108 | |||
| | 25. | Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. | UnderstandingBach | 3 | 109-111 | |||
| | 26. | New Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera? | UnderstandingBach | 4 | 9-20 | |||
| | 27. | Passion and Drama in German Literature. | UnderstandingBach | 4 | 21-31 | |||
| | 28. | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. | UnderstandingBach | 4 | 33-54 | |||
| | 29. | Rhetoric, Gesture and Scenic Imagination in Bach's Music. | UnderstandingBach | 4 | 55-76 | |||
| | 30. | Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. | UnderstandingBach | 4 | 77-99 | |||
| | 31. | Bach among the Heretics: Inferences from the Cantata Texts. | UnderstandingBach | 4 | 101-118 | |||
| | 32. | Relationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle. | UnderstandingBach | 4 | 119-133 | |||
| | 33. | Bach and the Feminised Galant. | UnderstandingBach | 5 | 9-22 | |||
| | 34. | Bach Reception in Prague: an 1845 Performance of the Second Kyrie from the B minor Mass. | UnderstandingBach | 5 | 23-48 | |||
| | 35. | Blinding us with Science? Man, Machine and the Mass in B minor. | UnderstandingBach | 5 | 49-63 | |||
| | 36. | The Fourteen Canons (BWV 1087): Foundation or Culmination? A re-evaluation of their position among Bach's late works. | UnderstandingBach | 5 | 67-75 | |||
| | 37. | J. S. Bach, the Choralvorspiele and the Late Eighteenth-Century Aesthetic Notion | UnderstandingBach | 5 | 76-86 | |||
| | 38. | Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. | UnderstandingBach | 5 | 87-97 | |||
 | 39. | Report of the 14th Biennial Conference on Baroque Music. | UnderstandingBach | 5 | 99-103 | |||
| | 40. | Italian Opera Performances in Bach's Leipzig: New Sources and Research Perspectives. | UnderstandingBach | 6 | 9-17 | |||
| | 41. | Improvisation, Da Capos and Palindromes in BWV 997 and 998. | UnderstandingBach | 6 | 19-34 | |||
| | 42. | The Implications of Bach's Introduction of New Fugal Techniques and Procedures in the Well-Tempered Clavier, Book Two. | UnderstandingBach | 6 | 35-50 | |||
| | 43. | The Balfour Handel Collection. | UnderstandingBach | 6 | 53-55 | |||
| | 44. | Michael Weisse transmitting Medieval Songs to Bach. | UnderstandingBach | 6 | 56-60 | |||
| | 45. | Report on the Fifth Johann Sebastian Bach Dialogue Meeting. | UnderstandingBach | 6 | 61-65 | |||
| | 46. | The Gothic Bach. | UnderstandingBach | 7 | 9-20 | |||
| | 47. | The Organist Encounters the Hymnologist: J. S. Bach and J. C. Olearius in Arnstadt. | UnderstandingBach | 7 | 21-28 | |||
| | 48. | Veiled Aspects of Bach Reception in the long Nineteenth Century Exposed through a Macro-examination of Printed Music: with Particular Focus on The Well-Tempered Clavier. | UnderstandingBach | 7 | 29-53 | |||
| | 49. | Challenging Virtuality: A Personal Reflection. | UnderstandingBach | 7 | 57-60 | |||
| | 50. | J. S. Bach's Meine Seele erhebt den Herren (BWV 10) in the Context of Other Uses of the Magnificat Text for the Feast of Visitatio Mariae. | UnderstandingBach | 8 | 9-31 | |||
| | 51. | Theoretical Hope: A Vision for the Application of Historically Informed Theory. | UnderstandingBach | 8 | 33-60 | |||
| | 52. | The Significance of the Newly Rediscovered Kittel Choralbuch. | UnderstandingBach | 8 | 61-85 | |||
| | 53. | Bach à 32 mains: Joseph Proksch and his Role in Bohemian Bach Reception. | UnderstandingBach | 8 | 87-137 | |||
| | 54. | Every Silver Lining has a Cloud: Bach and the Share Register of the Ursula Erbstollen Mine. | UnderstandingBach | 8 | 139-144 | |||
| | 55. | Johann Sebastian Bach and the Ursula Erbstollen. | UnderstandingBach | 8 | 145-153 | |||
| | 56. | 'Dream Job: Next Exit?': A Comparative Examination of Selected Career Choices by J. S. Bach and J. F. Fasch. | UnderstandingBach | 9 | 9-24 | |||
| | 57. | Discoveries in St Petersburg: New Perspectives on Bach and Poland. | UnderstandingBach | 9 | 25-48 | |||
| | 58. | Italian Instructive Editions of The Well-Tempered Clavier: A Useful Resource for Performance Practice Studies. | UnderstandingBach | 9 | 49-74 | |||
| | 59. | 'The Greatest Choral Work that has ever been written': Wellington Performances of J. S. Bach's St Matthew Passion, 1899-1941 | UnderstandingBach | 9 | 75-86 | |||
| | 60. | The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. | UnderstandingBach | 9 | 89-92 | |||
| | 61. | The Early Enlightenment, Jews, and Bach: Further Considerations. | UnderstandingBach | 9 | 93-100 | |||
| | 62. | J. S. Bach and the Concept of Variety. | UnderstandingBach | 9 | 103-107 | |||
| | 63. | Instructive Editions of J. S. Bach's Sonatas and Partitas for Solo Violin: History and Significance | UnderstandingBach | 9 | 108-111 | |||
| | 64. | A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cycle' | UnderstandingBach | 10 | 9-30 | |||
| | 65. | 'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat, BWV 243. | UnderstandingBach | 10 | 31-69 | |||
| | 66. | Remaining Silhouettes of Lost Bach Manuscripts? Re-evaluating J. P. Kellner's Copy of J. S. Bach's Solo String Compositions. | UnderstandingBach | 10 | 71-83 | |||
| | 67. | Keyboard Technique as Contrapuntal Structure in J. S. Bach's Clavier Works. | UnderstandingBach | 10 | 85-107 | |||
| | 68. | J. S. Bach and the Two Cultures of Musical Form. | UnderstandingBach | 10 | 109-122 | |||
| | 69. | Bach and Poland in the Eighteenth Century. | UnderstandingBach | 10 | 123-137 | |||
| | 70. | A Missed Opportunity: Reflections on Written by Mrs Bach. | UnderstandingBach | 10 | 141-157 | |||
| | 71. | Cantors, Schoolmasters, and Directors of Music: New Research on Bach's Students. | UnderstandingBach | 10 | 161-170 | |||
| | 72. | Bach to the Future: Recontextualising the Solo Violin Canon in 2014. | UnderstandingBach | 10 | 171-173 | |||
| | 73. | Ten Years of Bach Network UK. | UnderstandingBach | 10 | 175-177 | |||
| | 74. | Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. | UnderstandingBach | 11 | 9-38 | |||
| | 75. | Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. | UnderstandingBach | 11 | 39-56 | |||
| | 76. | The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. | UnderstandingBach | 11 | 57-66 | |||
| | 77. | On J. S. Bach's Compositional Technique. | UnderstandingBach | 11 | 67-82 | |||
| | 78. | The Conflict of Symmetrical Form and Text Settings by J. S. Bach. | UnderstandingBach | 11 | 83-105 | |||
| | 79. | Edwin Fischer's Bach-Pianism in Context. | UnderstandingBach | 11 | 107-127 | |||
| | 80. | A Copyist of Bach and Zelenka: Identifying the Scribes of GB-Ob, MS Tenbury 749. | UnderstandingBach | 11 | 131-139 | |||
| | 81. | The Case of Bach and Japan: Some Concepts and their Possible Significance. | UnderstandingBach | 11 | 140-146 | |||
| | 82. | A Glorious Summer Meeting: the 2015 Dialogue Report. | UnderstandingBach | 11 | 149-152 | |||
| | 83. | A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas. | UnderstandingBach | 12 | 9-20 | |||
| | 84. | Formal Deviations in the First Kyrie of the B minor Mass. | UnderstandingBach | 12 | 21-36 | |||
| | 85. | 'Having to perform and direct the music in the Capellmeister's stead for two whole years': Observations on How Bach Understood His Post during the 1740s. | UnderstandingBach | 12 | 37-58 | |||
| | 86. | Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. | UnderstandingBach | 12 | 59-84 | |||
| | 87. | Evangelists of the Postmodern: Reconfigurations of Bach since 1985. | UnderstandingBach | 12 | 85-107 | |||
| | 88. | Bach and Money: Sources of Salary and Supplemental Income in Leipzig from 1723 to 1750. | UnderstandingBach | 12 | 111-125 | |||
| | 89. | Bach's Unsung Champion: Sir Henry J. Wood. | UnderstandingBach | 12 | 126-132 |